Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts

Sunday, October 13, 2019

Creative Writing - Challenges & Drawbacks

✍️ “Writing is so difficult I often feel that writers, having had their hell on earth, will escape all punishment thereafter.”
~ Jessamyn West

       The Downside of Studying Creative Writing


I studied Creative Writing for my undergraduate degree and continued studying it into my postgraduate degree.  I am proud of my degrees and I enjoyed studying the process of writing, but as with everything, there are downsides to studying Creative Writing.
Studying Creative Writing isn’t as simple as writing a story and getting a grade for it. Pieces are marked on their originality, their use, and control of language, and your ability to explain your writing process.  You must approach your writing from an academic perspective whilst maintaining the creativity that you need to carve a piece out of a blank piece of paper (or screen).  Studying Creative Writing is not a walk in the park, nor is it for people who class Fifty Shades of Grey as the greatest book ever written.

It Can Take the Pleasure Out of Reading

Once you know the technical rules of writing, it becomes hard to sit and enjoy a book — particular a mainstream one that was written/bought for the sake of profit, not because of its quality.  The rules that you’ve learned studying Creative Writing will make it difficult for you to switch off your editor mode, meaning that unless a book is incredibly well written, you won’t be able to help but dissect it.
Some courses also contain Literature modules — you can also study Creative Writing with Literature — and those modules are often compulsory.  It is impossible to study writing and not change the way that you approach reading particularly once you have begun to workshop.

It Can Take the Pleasure Out of Writing

Before studying writing, Meg Cabot was warned that it would take the fun out of it for her.  You have to really love writing to study it.  Not only that, but you have to make sure to study the right kind of writing for you — if you’re a poet and you don’t feel comfortable
"There are really only two reasons to write: desperation or revenge." 
~ Elizabeth Hardwick
writing short stories, make sure to go somewhere that you can focus on poetry and won’t be forced to write things that you’re uncomfortable with.  It’s good to experiment, but if you already know which area(s) you enjoy writing the most, don’t study the areas you enjoy less — you’ll go from less fun to no fun.
The more we’re forced to do something, the harder it is for us to enjoy it: our appetite for it can become saturated to the point where it’s no longer fun.  If you’re worried about this happening to you, think about how you approach writing.  Do you do it for fun?  Is it a hobby for you, or is it your life?  If you approach everything in life and think about what angle you could approach it from were it a piece of fiction or a poem, or you carry a notebook around for ideas, studying Creative Writing may well be for you.

Commentaries

Speak to anyone that’s studied or is studying Creative Writing, and most — if not all — will go off on a five-minute rant about how annoying commentaries are.
Commentaries go hand-in-hand with studying Creative Writing and often amount to 50% — possibly even more — of a grade.  They are just as important as your creative work, sometimes even more.  In commentaries, you have to justify why you’ve made certain creative decisions, referencing theories that back up your choices.
Commentaries are an entirely different skill to creative work.  They’re much closer to essay writing than short stories, scripts or poetry.  If you’re planning on doing any form of degree in Creative Writing, writing commentaries will be mandatory and will go with most pieces of creative work that you submit.  If you’re not comfortable writing essays, I would seriously think before deciding to study Creative Writing.

Workshopping

Workshopping is one of those things that you either enjoy or you don’t.  Many people — particularly if they’re new to writing — dread them.  They’re intimidating environments,
particularly if some or all of the people you’re workshopping with have more experience in writing than you do.
Writing is seen as a solitary craft, and the initial process is, but if you wish to improve, it is necessary to workshop, and workshop as much as you possibly can.  The more people you workshop your work with, the more perspectives you’ll get.  The more perspectives you get, the more likely you are to find things to change or to find out how people interpret your work (and it may not be how you intended).
If you don’t enjoy group work, workshops can be difficult.  Likewise, it might be the way that the workshop is led that you’re uncomfortable with.  There are many ways to lead a workshop, and many ways to give and receive feedback.  How it’s done will depend on where you study, who your teachers are, and what your peers are like.

Some Teaching Methods

The place that you choose to study Creative Writing will have a huge impact on you.  Some of it will be conscious, some of it won’t be.  Some places are much more involved in the local — and wider — literary community, and those places are where you want to go because it will help you long-term as well as short-term.
Like with everything we study, how something is taught to us can and will affect our opinion and approach.  Do your research on where you want to study before you decide, because some places have a focus on certain areas such as fiction, whereas others will be more diverse.

Conclusion

Studying Creative Writing isn’t for everyone.  Just because you love writing, that doesn’t mean you’ll enjoy studying it.  That’s ok — studying Creative Writing is much more academic than many people think.  It’s also much more difficult.
It may seem like I’m against people studying Creative Writing, but this isn’t the case.  I enjoyed and am proud of my degrees, and wouldn’t have chosen to do a postgraduate degree in Creative Writing if I didn’t enjoy it.  However, I have seen many people fail or drop out because they choose the course as an easy option, or they pick it because they had an idea for a story.  Having an idea for a story is not enough to study Creative Writing — there is much more to creative writing than just one story.  To study it, you must have a never-ending supply of ideas that you can dip in and out of at any time.  If you struggle to come up with new ideas every week, you may be better working on your sources of inspiration before you look into honing your craft.
If you’d like to pursue creative writing but I’ve put you off above, why not consider joining a writing group instead?  Writing groups are much more laid back, and there’s less pressure because there’s no assessment involved.  You can still meet like-minded people, but with the pressure off it gives you more time to hone your skills and less time working on essay writing.
Did you study Creative Writing?  Did it take the fun out of writing for you, or did it make you love it more?
The Alliance of Independent Authors - Author Member
Kristina Adams is an author of fiction and nonfiction, writing and productivity blogger, and occasional poet. She has a BA in Creative Writing from the University of Derby and an MA in Creative Writing from Nottingham Trent University. She can be found under a pile of books with a vanilla latte.

Sunday, June 19, 2016

Literature & Political Correctness

Gone are the days when literature was bold, honest, and witty, with a take-no-prisoner approach to storytelling. 

Now political correctness has taken hold of the society in such a way that any straight, tell-it-as-it-is piece of writing risks offending the sensibilities of many.
Some people actually believe that the term “Politically correct” is about being right. Unfortunately, that’s a bit of a misnomer. When the term was first conceptualized and made popular during the 1970s and the 1980s, it was about being respectful and considerate. In simple terms, being “Politically correct” meant making an effort to avoid expressions that deliberately excluded, marginalized, or offended a particular group of people. The same should still be true today. 

But it appears as if the more “Politically correct” society becomes, the more people’s sensibilities burgeon. Such sensibilities have now permeated the field of literature, where some, including students, have even demanded a kind of trigger warning on books that may have a negative impact on the reader.

In 2014, Kathleen Parker wrote a piece in the Indy Star, in which she indicated that some schools (like Oberlin College, Rutgers University, George Washington University and the University of Michigan) were already considering the question of “trigger warnings” on books and syllabuses. Citing this example: “Warning: This book includes a rape scene,” aimed at warning rape victims less they be traumatized by the contents, she wondered if it isn’t more sensible for students to Google a book in advance of reading if they’re so fearful of a psychological crisis.


Some authors consider trigger warnings on books an exaggeration because even in films, while the Motion Picture Association of America provides film ratings (like G, PG, PG-13, R, and NC-17) to advise about content so that moviegoers can make informed choices for themselves and for their children, trigger warnings are caveats some reviewers feel inclined to issue. They often do so based on their personal convictions to prevent people who have an excessive emotional response to certain subjects from encountering them unaware.
Books, on the other hand, should have neither a ratings system nor a trigger warning, authors say, though many publishers, on their sole discretion, choose to indicate heat levels for novels with sexual contents on their websites, not on the books. They say it is all right for a book reviewer to issue a spoiler alert to inform the reader that the review may reveal critical points that ruin the story, the same way a movie reviewer may issue an NSFW (acronym for ‘Not Suitable for Work’) alert to indicate that the material is not suitable for the work environment.

But “Political correctness” should not ride on the back of exaggerated sensibilities to stifle literature. This does not mean, however, that “Political correctness” does not serve an important purpose. While being “Political correct” helps promote equality by demonstrating an understanding that all people, regardless of race, culture, religion, gender, or sexual orientation, are valuable to society, forcing literature to walk on eggshells amounts to smothering creativity. As Ralph Ellison said in Invisible Man, “Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.”

Powerful literary quotes 

[with a tell-it-as-it-is approach to creativity]

Maybe ever’body in the whole damn world is scared of each other.
   - John Steinbeck [Of Mice & Men, 1937]
              
Terror made me cruel.
    - Emily Brontë [Wuthering Heights, 1847]

The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.
            - Jack Kerouac [On the Road, 1957]

We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.
            - Margaret Atwood [The Handmaid’s Tale, 1985]
Jack Kerouac

It sounds plausible enough tonight, but wait until tomorrow. Wait for the common sense of the morning.
            - H.G. Wells [The Time Machine, 1895]

Life appears to me too short to be spent in nursing animosity or registering wrongs.
            - Charlotte Brontë [Jane Eyre, 1847]

You forget what you want to remember, and you remember what you want to forget.
            - Cormac McCarthy [The Road, 2006]

We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm - yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine.
            - E.M. Forster [A Room with a View, 1908]

And meanwhile time goes about its immemorial work of making everyone look and feel like shit.
       - Martin Amis [London Fields, 1989]

History, Stephen said, is a nightmare from which I am trying to awake.
       - James Joyce [Ulysses, 1922]

No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.
            - Nathaniel Hawthorne [The Scarlet Letter, 1850]

Nowadays people know the price of everything and the value of nothing.
            - Oscar Wilde [The Picture Of Dorian Gray, 1890]

No one forgets the truth; they just get better at lying.
  - Richard Yates [Revolutionary Road, 1961]

It is sometimes an appropriate response to reality to go insane.
  - Philip K. Dick [Valis, 1981]

Perhaps it was freedom itself that choked her.
  - Patricia Highsmith [The Price of Salt, 1952]

The only lies for which we are truly punished are those we tell ourselves.
     - V.S. Naipaul [In a Free State, 1971]

Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
      - Stephen King [Different Seasons, 1982]